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Since its release in 1968, the Classics To Moderns series has been a favourite with pianists from all around the world, appealing to players of all levels and backgrounds. Music For Millions: New Classics To Moderns has been developed from this original series. As with previous volumes, the collection opens with music from the 1600s before journeying through different periods of musical history, up to the living composers of the present day – Over 400 years of classical compositions. This book has been
165 traditional and contemporary folk songs from the singing of Blind Blake, the Carter Family, Woody Guthrie, Cisco Houston, Leadbelly, Ewan MacColl, the New Lost, City Ramblers, Jean Ritchie, Peggy Seeger, Pete Seeger, and others (from cover).
"Established in Cincinnati in 1856 by German immigrant Franz Rudolph Wurlitzer, the music dealer became the largest outlet for band instruments in the United States by 1865. During the silent film era in the early twentieth century, Wurlitzer manufactured nearly 2,250 theater organs, affectionately dubbed Mighty Wurlitzers. Many of these instruments still provide concert music today. During the Big Band era of the 1930s to 1950s, the company's colorful coin-operated jukeboxes were such popular fixtures in bars and dance halls that the U.
This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
This book includes the great flute passages from orchestral and chamber music literature to delight the young student, the hobby flautist, and the aspiring professional.
Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself.