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This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
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This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water
The first in-depth resource on the American artists Elaine de Kooning, Helen Frankenthaler, Grace Hartigan, Lee Krasner, Joan Mitchell, and Ethel Schwabacher.
The Abstract Expressionist movement has long been bound up in the careers and lifestyles of about twelve white male artists who exhibited in New York in the 1940s. In this book Ann Eden Gibson reconsiders the history of the movement by investigating other artists -- people of color, women, and gays and lesbians -- whose versions of abstraction have been largely ignored until now.
This exquisitely illustrated volume and the exhibition that it accompanies restore Joan Mitchell to her rightful place in the history of American artists--one of the few women among the first-rank Abstract Expressionist painters. 145 illustrations, 85 in color.
Reproduces a selection of more than one hundred paintings, prints, drawings, and sculptures from the Museum's extensive collection of abstract expressionist works.
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. This important publication re-evaluates the movement, recognising its complex and fluid reality, and branching further into multimedia.
Includes 29 critical essays, most published in ArtNews 1949-1989, and previously unpublished selections from journals and letters
Willem and Elaine de Kooning shared not only a tumultuous, on-again, off-again 'open' marriage, they also navigated a 1950s New York art scene at the center of an artistic revolution.
This monograph accompanies the first European retrospective of the work of Lee Krasner (1908-1984). One of the original abstract expressionists, Krasner's importance has for too long been eclipsed by her marriage to Jackson Pollock. In fact, his death in 1956 marked her renaissance as an artist. 0Over the course of more than five decades, Krasner continually scrutinized and reinvented her practice, giving her work formidable energy and impact. Her accomplishments began to be recognized toward the end of her life and
Traces the career of abstract expressionist Willem de Kooning, discussing his personal life with wife Elaine Fried, and his battle with alcoholism and Alzheimer's disease. Winner of the Pulitzer Prize, National Book Critics Circle Award, & Los Angeles Times Book Prize for Biography. Reprint. 35,000 first printing.